At this point in our reading of 1984, Winston has finally found another rebel, and love, in Julia. We immediately recognize the importance of finding another to be on one's team--suddenly, there is hope and opportunity and solace. This was also National Coming Out Day at school, so both in honor of political struggle and the importance of allies, we read this, which is one of my all-time favorite poems.
The Low Road
Marge Piercy
What can they do to you?
Whatever they want..
They can set you up, bust you,
they can break your fingers,
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember.
they can take away your children,
wall up your lover;
they can do anything you can’t stop them doing.
How can you stop them?
Alone you can fight, you can refuse.
You can take whatever revenge you can
But they roll right over you.
But two people fighting back to back
can cut through a mob
a snake-dancing fire
can break a cordon,
termites can bring down a mansion
Two people can keep each other sane
can give support, conviction,
love, massage, hope, sex.
Three people are a delegation
a cell, a wedge.
With four you can play games
and start a collective.
With six you can rent a whole house
have pie for dinner with no seconds
and make your own music.
Thirteen makes a circle,
a hundred fill a hall.
A thousand have solidarity
and your own newsletter;
ten thousand community
and your own papers;
a hundred thousand,
a network of communities;
a million our own world.
It goes one at a time.
It starts when you care to act.
It starts when you do it again
after they say no.
It starts when you say we
and know who you mean;
and each day you mean
one more.
Thursday, October 17, 2013
TGIPF - September 27, 2013
We have begun reading Orwell's 1984, and are plunged immediately into Winston's dystopian world of telescreens, surveillance, and thoughtcrime. It's a perfect place to revisit Dunbar's classic poem about the conflict between inner turmoil at injustice and seeming outer calm.
We wear the mask that grins and
lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
We
Wear the Mask
Paul
Laurence Dunbar
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
TGIPF - Sept. 13, 2013
As conditions worsen on Animal Farm, we start to see how cycles of oppression replicate. This poem is a poignant reminder of how sometimes we can fail to see how our actions might contradict our own values. We discussed how Joudah, a Palestinian-American poet, might have felt after this encounter with his daughter.
Mimesis
Fady
Joudah
My daughter
Wouldn't hurt a spider
That had nested
Between her bicycle
handles
For two weeks
She waited
Until it left of its own
accord
If you tear down the web I
said
It will simply know
This isn't a place to call
home
And you'd get to go biking
She said that's how others
Become refugees isn't it?
TGIPF - September 6, 2013
We spent a lot of time talking about the "dream" of Socialism on Animal Farm--both Old Major's literal dream, and the metaphoric dream of a utopian ideal. We are seeing this dream start to break down; this poem from Langston Hughes considers what happens when we believe strongly in a dream that we are somehow prevented from achieving. I asked students to predict what the animals might do as their hopes are gradually thwarted by the power-hungry pigs--will they... explode?
"Harlem," by Langston Hughes
"Harlem," by Langston Hughes
What happens to a dream
deferred?
Does
it dry up
like
a raisin in the sun?
Or
fester like a sore—
And
then run?
Does
it stink like rotten meat?
Or
crust and sugar over—
like
a syrupy sweet?
Maybe
it just sags
like
a heavy load.
Or
does it explode?
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